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Saint Malo Walled City - filming location in Indonesia

SCENE 01 / LOCATION SOUND PACKAGES

Location Sound Packages

Complete production sound kits for your Indonesian production.

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Here is how this works in practice. Location sound packages bundle the key recording gear needed for field production into cohesive kits. These packages mostly have recorders, microphones, boom poles, wireless systems, and tracking gear, configured to work together reliably in real-world shooting environments.

Here is the short of it. We assemble and deliver complete location sound packages customized to your production scale and shooting conditions. Our team works with skilled audio suppliers to make sure each parts is tested, compatible, and ready for use when your crew arrives on location.

Capabilities

Sound Equipment

Complete location sound solutions from recorders to wireless systems.

Professional Sound Solutions

Capabilities

50+
Complete Kits
200+
Wireless TX/RX
All
Major Brands
24/7
Tech Support

Our Process

1

Requirements Review

Knowing your production's sound needs, track count, and tech needs.

2

Package Design

Building a complete sound package matched to your production scale and complexity.

3

Prep & Testing

Thorough prep and testing of all gear with frequency planning for your locations.

4

Production Support

Tech support, extra gear, and backup gear ready across your shoot.

On Location

Complete production sound kits built around Sound Devices recorders, coordinated wireless and boom gear, assembled from Jakarta and Bali sound houses for field recording across the Indonesian archipelago.

Here is what that looks like on the ground. Our team assembles complete location sound packages from rental sound rooms in Jakarta and Bali, configuring recorder, mixer, wireless channels, boom kit and tracking as one tested system before it ships. We match the package to your track count and shooting style, whether a bag-based rig for documentary work or a full cart setup for narrative, and each parts is checked for compatibility and battery condition.

Here is how the picture comes together. Tropical conditions shape how we prepare: recorders, mixers and wireless gear are conditioned in dry cases with desiccant against equatorial heat and humidity, and rain covers and weather bags travel with each kit because monsoon downpours and salt air on coastal shoots are constant hazards. For shoots crossing the archipelago, sound kits are crated for domestic flights and boat transfers to Komodo, Raja Ampat, Sumatra and remote islands.

Here is what we have to work with. We set up frequency planning with your locations in advance, supply spare transmitters and a backup recorder, and can introduce skilled Indonesian production sound mixers and boom operators who know local conditions and keep the sound department running smoothly. Recording sound across Indonesia means planning for an extraordinary spread of environments. A controlled interior at Borobudur or a Jakarta studio gives a clean, quiet floor.

Here is the layout. The volcanic terrain of Mount Agung, the surf at Uluwatu or the rainforest of Sumatra each bring their own ambient signature that a complete package must capture cleanly. Any wireless link inside a sound package operates within RF range administered by the Ministry of Communication and Digital Affairs, Komdigi, through its SDPPI directorate, and our frequency planning keeps each channel compliant. The dry season, roughly April or May to September or October, is the prime shooting window, though humidity stays high year-round and demands disciplined gear care.

Here is how the work shapes up. Indonesian streaming production has grown sharply with heavy investment from Netflix and other platforms, deepening the pool of local sound talent, and English is widely used in the film-services sector and strongly so in Bali, keeping planning clear for visiting crews.

FAQ

Frequently Asked Questions

What's included in a complete sound package?

Here is the breakdown. A complete package has a recorder/mixer (such as Sound Devices 8-series), wireless systems for your cast, boom microphone and pole, sound bag or cart, cables, batteries, and all needed accessories. We scale packages to your production needs.

What recorders do you stock?

We carry Sound Devices 8-series (833, 888) for pro multi-track recording, MixPre series for smaller shoots, and Zaxcom Deva and Maxx systems. All give great sound quality and reliability.

How many wireless channels can you provide?

We can give as many wireless channels as your production needs—from a single lav to dozens of channels for large cast shoots. We use Lectrosonics, Wisycom, and Sennheiser systems with proper frequency planning.

Can you provide a production sound mixer?

Yes, we work with skilled Indonesian production sound mixers and boom operators. Having local sound pros makes sure proper gear operation and familiarity with Indonesian shooting conditions.

What about frequency coordination?

We set up all wireless frequencies with Indonesian rules and your location's RF environment. Our team scans locations and allocates clean frequencies to make sure reliable wireless performance.

Do you offer bag kits vs cart setups?

Yes, we give both bag-based kits for mobile ENG/documentary work and cart setups for narrative shoots with more complex mixing needs. We configure the right setup for your shooting style.

Productions in Indonesia that need this often pair it with Boom Microphones, Wireless Microphone Systems, and Audio Monitoring Equipment for full coverage. Most projects also draw on Sound Recordist Teams and Audio Equipment Rental.

On Set

Need Location Sound?

Tell us about your sound requirements and we'll build the right package.